Rina Banerjee, Irresistible, irreplaceable Earth, open over interior screams, shouting in folds creased by vapors that thread fire and earth, between ground and sky Masculine Mythologies play upon us heavy heaving as Feminine Escapes embers beneath in exile breathe, 2020, Mixed media, Dimensions variable

Rina Banerjee, Sita, 2022, Textiles, seashells, silk thread, copper mesh, plastic mesh, beads, Dimensionsn variable

Rina Banerjee, The earth as a company grows octopi of tentacles rich on weavers, ancillary craft man, raw materials syphoned into the cities for a final urban display, where mercantile pleasures., 2020, Beads, shells, fabric, metal, mirrors, plastic, thread, 47 x 15.5 x 13.5 in (119.4 x 39.4 x 34.3 cm)

Rina Banerjee, Watering holes could not speak, like elongated wicks, drew from near to far milk and meat, holding food like holding feet from walking free., 2020, Moonstone beads, Czech glass beads, quartz , lava rock, cotton netting, sequin applique, sea conch, snail shells hand blown glass, Indian brass water head vessel, mohair, 55 x 21 x 23 in (139.7 x 53.3 x 58.4 cm)

Rina Banerjee, I am not afraid of you said the Elephant to the Rodent. In connection, recognition, exposed or opposed, out of the glorification of power and powerless grew root a death of all containers that resisted or weeded nature as fruit or female as excess., 2022, Mixed media on paper, 19.625 x 12.875 in (7.73 x 32.7 cm)

Rina Banerjee, When the bottom falls out and the weight of Earth against Us cannot center She will leap to drip drop all eggs black/brown and what not in heaps and dutiful slips leaps over flow. Make green grasses split. swing from hip to hip, catch fire of red twine. things tidy., 2022, Mixed media on paper, 19.625 x 12.875 in (7.73 x 32.7 cm)

Rina Banerjee, Fly me to saddle on Nature’s battles so I may will my arms high as paddles perhaps loose old balance, create a waddle in step to shift to hault marriage markets vulgarity of property contracts like crossfire take casualties of you and me to be buried in law’s riddles., 2022, Mixed media on paper, 19.625 x 12.875 in (7.73 x 32.7 cm)

Rina Banerjee, “Take me I am yours”…said the Worm to her Bird, devotion to surrender, be devoured in pleasure? masculinity, so clever to take what is forever and never hers, her life, her soul delivered by marriage, romance, family to be eaten and beaten., 2022, Mixed media on paper, 19.625 x 12.875 in (7.73 x 32.7 cm)

Max Colby, Elegy 1, 2019, Crystal and plastic beads, sequin patches, found fabric, trim, fabric flowers, magnets, polyester batting, Baltic birch plywood, thread, 62 x 45 x 5 in (157.48 x 114.3 x 12.7 cm)

Max Colby, Elegy 2, 2019, Crystal and plastic beads, sequin patches, found fabric, trim, fabric flowers, magnets, polyester batting, Baltic birch plywood, thread, 62 x 45 x 5 in (157.48 x 114.3 x 12.7 cm)

Max Colby, Elegy 15, 2020, Found fabric, trim, fabric flowers, ribbon, patches, toys, garland, polyester batting, Baltic birch plywood, thread, 44 x 30 x 15 in (111.76 x 76.2 x 38.1 cm)

Max Colby, Elegy 16, 2020, Found fabric, trim, fabric flowers, magnets, ribbon, patches, toys, garland, polyester batting, MDF,  thread, 44 x 30 x 15 in (111.76 x 76.2 x 38.1 cm)

Max Colby, Elegy 17, 2020, Found fabric, trim, fabric flowers, ribbon, patches, toys, garland, polyester batting, MDF, thread, 44 x 30 x 15 in (111.76 x 76.2 x 38.1 cm

Max Colby, They Consume Each Other (#1), 2019-21, Crystal and plastic beads and sequins, found fabric, trim, fabric flowers, ribbon, costume jewelry, polyester batting, thread, glass stands, custom pedestal, 66 x 40 x 40 in (167.64 x 101.6 x 101.6 cm

Max Colby, They Consume Each Other (#2), 2019-21, Crystal and plastic beads and sequins, found fabric, trim, fabric flowers, ribbon, costume jewelry, polyester batting, thread, glass stands, custom pedestal, 66 x 40 x 40 in (167.64 x 101.6 x 101.6 cm)

Max Colby, Crewel Embroidery Study (Graphite 1-3), 2021, Graphite on Arches paper, approx. 10 x 13 in (25.4 x 33.02 cm)

Max Colby, Jacobean Embroidery Study (Graphite 1-9), 2021, Graphite on Arches paper, approx. 10 x 13 in (25.4 x 33.02 cm)

Alison Saar, Breach, 2017, Ed. 9/18, Woodcut on vintage linen seed sacks, 43.25 x 19.5 in (109.85 x 49.53 cm)

Alison Saar, Stanch, 2017, Ed. 18/18, Woodcut on vintage linen seed sacks, 41.25 x 19 in (104.78 x 48.26 cm)

Alison Saar, Is You Is or Is You Ain’t, 2017, Ed. 28/50, Intaglio, hand painted shellac, 13 x 9 in (33.02 x 22.86 cm)

Alison Saar, Cat’s Cradle, 2015, Ed. 11/30, Woodcut, 23.75 x 13.5 in (60.3 x 34.29 cm)

Alison Saar, Backwater Blues, 2014, Ed. 25/30, Woodcut, fabric dye, shellac, chine colle, 27.38 x 14.38 in (69.53 x 36.51 cm)

Jason Vartikar, Rug from memory, 2022, Oil on canvas, 20 x 24 in (50.8 x 60.96 cm)

T. Venkanna, Evergreen, 2019, Pencil and hand embroidery on linen, 43 x 58 in (109 x 147 cm)

T. Venkanna, Black Moon, 2019, Pencil and hand embroidery on linen, 51.5 x 45.5 in (131 x 115.5 cm)

T. Venkanna, Pleasure, 2019, Pencil and hand embroidery on linen, 46.5 x 54.75 in (118 x 139 cm)

T. Venkanna, Swimming Pool, 2019, Pencil and hand embroidery on linen, 43.75 x 51.5 in (111 x 131 cm)

T. Venkanna, Burning Desire, 2019, Pencil and hand embroidery on linen, 58 x 76 in (147 x 193 cm)

T. Venkanna, Sea of Desire, 2019, Oil on canvas, 60 x 72 in (152.4 x 184 cm)

T. Venkanna, Untitled (Fountain), 2019, Oil on canvas, 72 x 84 in (184 x 213 cm)

T. Venkanna, Circle of Love II, 2019, Pencil and hand embroidery on linen, 84 x 77 in (213 x 196 cm)

T. Venkanna, Untitled (Angel of Death), 2018, Ink on rice paper affixed on canvas, 22 x 30 in (56 x 76 cm)

T. Venkanna, Untitled (Burning Desire), 2018, Ink on rice paper affixed on canvas, 22 x 30 in (56 x 76 cm)

T. Venkanna, Untitled (Circle of Love II), 2018, Ink on rice paper affixed on canvas, 22 x 30 in (56 x 76 cm)

Autumn Wallace, Star, 2022, Acrylic, oil, and pastel on Dibond, 48 x 48 in (122 x 122 cm)

Autumn Wallace, Use case, 2022, Acrylic, oil, and pastel on Dibond, 48 x 48 in (122 x 122 cm)

Autumn Wallace, Bean counter, 2022, Acrylic, oil, and pastel on PVC with mixed media artist made frame, 19 x 19 in (48 x 48 cm)

Autumn Wallace, Peer pressure, 2022, Flocked Clay, Steel, Synthetic and natural fibers, Acrylic, Precious and Semiprecious Stones, Quartz, Swarovski Rhinestones and glass beads, 10 x 10 x 8 in (25.5 x 25.5 x 20 cm)

Autumn Wallace, Wire transfer, 2022, Flocked Clay, Steel, Synthetic and natural fibers, Acrylic, Precious and Semiprecious Stones, Swarovski Rhinestones and glass beads, 7 x 9.5 x 17 in (18 x 24 x 43 cm)

Charlie Williams, Ain’t Suga Cute I, 2020, C-Print from 35mm, 17 x 22 in (43.18 x 55.88 cm)

Charlie Williams, Ain’t Suga Cute II, 2020, C-Print from 35mm, 17 x 22 in (43.18 x 55.88 cm)

Alisha B. Wormsley, The High Priestess as the Devil, 2021, Photo print on fabric, fabric and metal leaf, 35 x 24 in (89 x 61 cm)

Alisha B. Wormsley, The Sorcerer, 2021, Photo print on fabric, fabric and metal leaf, 35 x 24 in (89 x 61 cm)

Alisha B. Wormsley, Drexciya, 2021, Photo print on fabric, fabric and metal leaf, 35 x 24 in (89 x 61 cm)