Mequitta Ahuja

Seated Scribe (Pomegranate Molasses)

2018

Oil on canvas

84 x 80 in.

Mequitta Ahuja

Material Support (Study III)

2017

Oil on canvas

42 x 40 in.

Mequitta Ahuja

Material Support (Study I)

2017

Oil on canvas

42 x 40 in.

Mequitta Ahuja

aMother (Study)

2018

Oil-based charcoal on paper

25 x 23.75 in.

Mequitta Ahuja

Border (Value Scale Drawing)

2018

Oil-based charcoal on paper

36 x 24 in.

Mequitta Ahuja

Notations (Study II)

2018

Oil-based charcoal on paper

36 x 24 in.

Mequitta Ahuja

Portrait at Five Months

2018

Oil-based charcoal on paper

36 x 24 in.

Mequitta Ahuja

Pomegranate Molasses

2018

Color pencil on paper

19.5 x 27 in.

Mequitta Ahuja

Sesame Paste

2018

Color pencil on paper

19.5 x 27 in.

Peju Alatise

Lagbaja, Tamedu ati Ogbeni (Anybody, Nobody, Somebody) I, II, III

2019

Metal, wood, glass beads, resin and stone cast

Life-size seated figures, dimensions variable

Peju Alatise

Death and the King's Alaso Ofi (Part 2) I, II, III

2018

Metal, stone cast, wood and acrylic on canvas

50 x 50 in. each

Peju Alatise

Death and the King's Alaso Ofi (Part 2) I

2018

Metal, stone cast, wood and acrylic on canvas

50 x 50 in.

Peju Alatise

Death and the King's Alaso Ofi (Part 2) II

2018

Metal, stone cast, wood and acrylic on canvas

50 x 50 in.

Peju Alatise

Death and the King's Alaso Ofi (Part 2) III

2018

Metal, stone cast, wood and acrylic on canvas

50 x 50 in.

Peju Alatise
Lost
2015
18 mixed media panels
60 x 8 in. each

 

Rina Banerjee

Jack Fruit Johnny she was a Diasporic Devi who changed her name to taste like honey, changed her faith to sunny, changed sex to something funny, changed her city to New York City.
-all for reason, to be far, far away, from misery and war and for money.
2015
Cotton thread, paper mache vessal base, steel stand, vintage porcelain doll head, silk fabric with printing, porcupine needles , silver blue leaf, plastic trim
56 x 18 x 20 in.

Rina Banerjee

Jack Fruit Johnny... (detail)
2015
Cotton thread, paper mache vessal base, steel stand, vintage porcelain doll head, silk fabric with printing, porcupine needles , silver blue leaf, plastic trim
56 x 18 x 20 in.

Rina Banerjee

The tree flowered

2012

Acrylic and ink on paper

30 x 22 in.

Rina Banerjee

Made of sugary sin and sweet greed she was wide eyed and relentless when plenty of nectar and flower brought also a mood much too sour, unleashed her, her all that wasbad in power
2014
Acrylic, ink on wood panel
11 x 12 in.

Rina Banerjee
She would be a vision of Beauty if only...her complexion was whitened! As if to not to see her and separately see part of her only not as human body as not yet whole, not yet made, as illness, as a single flaw with intent to take away, save it with this so to cure( vanish cream) her of ugliness, oldness, blemishes, freckles, moles and race deliver her as a sign of brightness, lightness, crowned beauty is a defining system. Where her otherness could marked, has been crowned.
2019
Antique mirrors, cotton thread, alabaster bust, antique lace, antique piano stool, mesh grocery bag, buffalo horns
Dimensions variable

Detail:

Rina Banerjee

She would be a vision of Beauty if only...her complexion was whitened! As if to not to see her and separately see part of her only not as human body as not yet whole, not yet made, as illness, as a single flaw with intent to take away, save it with this so to cure( vanish cream) her of ugliness, oldness, blemishes, freckles, moles and race deliver her as a sign of brightness, lightness, crowned beauty is a defining system. Where her otherness could marked, has been crowned.
2019
Antique mirrors, cotton thread, alabaster bust, antique lace, antique piano stool, mesh grocery bag, buffalo horns
Dimensions variable

Detail:
Rina Banerjee
She would be a vision of Beauty if only...her complexion was whitened! As if to not to see her and separately see part of her only not as human body as not yet whole, not yet made, as illness, as a single flaw with intent to take away, save it with this so to cure( vanish cream) her of ugliness, oldness, blemishes, freckles, moles and race deliver her as a sign of brightness, lightness, crowned beauty is a defining system. Where her otherness could marked, has been crowned.
2019
Antique mirrors, cotton thread, alabaster bust, antique lace, antique piano stool, mesh grocery bag, buffalo horns
Dimensions variable

Detail:
Rina Banerjee
She would be a vision of Beauty if only...her complexion was whitened! As if to not to see her and separately see part of her only not as human body as not yet whole, not yet made, as illness, as a single flaw with intent to take away, save it with this so to cure( vanish cream) her of ugliness, oldness, blemishes, freckles, moles and race deliver her as a sign of brightness, lightness, crowned beauty is a defining system. Where her otherness could marked, has been crowned.
2019
Antique mirrors, cotton thread, alabaster bust, antique lace, antique piano stool, mesh grocery bag, buffalo horns
Dimensions variable

Rina Banerjee

Unthinkable skirt
2015
Ink, acrylic, gold and copper on paper
14 x 10 in

Rina Banerjee

Where I came from was water and salt and this is where I will go with bangles to tackle my human opponents and tangles of hair that snaked out of air her tongue and yours will know when to play with water, mountain and or air this no human laws shall come to rule
2015
Ink, acrylic, gold and copper on paper
14 x 10 in

Faiza Butt

My Love Plays in Heavenly Ways 4

2018

Acrylic glazes on marble paper

48 x 120 in.

Faiza Butt

The Eternal Playground
2019
Acrylic glazes on marble paper
48 x 120 in (diptych)

Faiza Butt

Erosion
2019
Ink, drawing and digital print on archival paper
8.5 x 11.5 in

Faiza Butt
The Great Gamble
2019
Ink on polyester film
21 x 19.5 in.

Faiza Butt

Ghost
2019
Ink on polyester film
33 x 23 in.

Faiza Butt

From the series 'Dinner Dialogue' 1

2017

Ceramic

13 x 18 in.

Faiza Butt

From the series 'Dinner Dialogue' 2

2017

Ceramic

13 x 13 x 6 in.

Saba Qizilbash

Crossings

2019

Graphite and epoxy on paper, mounted on wood

5 x 5 in.

Saba Qizilbash

Isolation 4

2019

Graphite and resin on paper, mounted on wood

4 x 12 in.

Saba Qizilbash

Isolation 5

2019

Graphite and resin on paper, mounted on wood

4 x 4 in.

Saba Qizilbash

Isolation 6

2019

Graphite and resin on paper, mounted on wood

4 x 4 in.

Saba Qizilbash

Isolation 7

2019

Graphite and resin on paper, mounted on wood

4 x 4 in.

Saba Qizilbash

Isolation 8

2019

Graphite and resin on paper, mounted on wood

4 x 4 in.

Saba Qizilbash

Isolation 11

2019

Graphite and resin on paper, mounted on wood

4 x 12 in.

Saba Qizilbash

Isolation 12

2019

Graphite and resin on paper, mounted on wood

4 x 12 in.

Saba Qizilbash

Jebel Ali to Gwador

2019

Graphite and wash on water color board

15 x 60 in.

Saba Qizilbash

Kartarpur Footbridge

2019

Graphite and wash on water color board

15 x 60 in.

Saba Qizilbash

Pulwama

2019

Graphite and epoxy on paper, mounted on wood

5 x 12 in.

Saba Qizilbash

Punjab Border

2019

Graphite on mylar cast in resin

0.75 x 1.5 in.

Saba Qizilbash

Ravi Riverside

2019

Graphite on mylar cast in resin

1 x 1.5 in.

Saba Qizilbash

Sialkot to Jammu

2018

Graphite and wash on water color board

30 x 66 in.

Saba Qizilbash

The Grand Trunk Road – Kabul to Torkham

2019

Graphite on paper

10 x 45 in.

Saba Qizilbash

Zamzama Gun

2019

Graphite on mylar cast in resin

1 x 1.5 in.

Saba Qizilbash

Zero Point

2019

Graphite on mylar cast in resin

1 x 1.5 in.

Saba Qizilbash

Untitled

2019

Graphite on mylar cast in resin

1 x 1.5 in

Intricacies: Fragment and Meaning
Installation view 1 

Intricacies: Fragment and Meaning
Installation view 2 

 

Intricacies: Fragment and Meaning
Installation view 3

 

Intricacies: Fragment and Meaning
Installation view 4

 

Intricacies: Fragment and Meaning
Installation view 5 

Intricacies: Fragment and Meaning
Installation view 6 

Intricacies: Fragment and Meaning
Installation view 7 

Intricacies: Fragment and Meaning
Installation view 8

Intricacies: Fragment and Meaning
Installation view 9

Intricacies: Fragment and Meaning
Installation view 10

Intricacies: Fragment and Meaning
Installation view 11

Intricacies: Fragment and Meaning
Installation view 12

Intricacies: Fragment and Meaning
Installation view 13

Intricacies: Fragment and Meaning
Installation view 14

Intricacies: Fragment and Meaning
Installation view 15

Intricacies: Fragment and Meaning
Installation view 16

Intricacies: Fragment and Meaning
Installation view 17

Intricacies: Fragment and Meaning
Installation view 18

Intricacies: Fragment and Meaning
Installation view 19

Intricacies: Fragment and Meaning
Installation view 20

Intricacies: Fragment and Meaning
Installation view 21

Intricacies: Fragment and Meaning
Installation view 22